Stomping in New Orleans, 2009 Edition

I was down at The Ponderosa Stomp in New Orleans this year. So many highlights: the New Orleans Revue ranging from swamp pop to hard-bitten funk; Wanda Jackson’s great sense of humor and voice; Cyril and Roy from the Flamin’ Groovies tearing it up onstage w/ the A-Bones; Otis Clay roaring out a soul set w/ the Hi Rhythm Section; the Bo-Keys w/ Skip Pitts; and Dale Hawkins w/ James Burton and Deke Dickerson & the Ecco-phonics.

Jon Pareles captured the scene at night one very well — and outlasted me. I can’t wait to see what he writes about night two.

Here’s the newest inductee to the Rock & Roll Hall of Fame, “the sweet lady with the nasty voice,” Wanda Jackson on stage:

Here’s me w/ original Flamin’ Groovies frontman Roy Loney. He may look like a high school science teacher, but dude packs a wallop!

The Ponderosa Stomp exhibition at the Louisiana State Museum was stunning, encompassing Louisiana’s rock and roll roots. It even reframes the argument over where rock and roll originated.

Howard Tate, whose 2001 Stomp set catapulted him back into the limelight, sings to the crowd:

Dale Hawkins and James Burton seemed like they were having more fun than just about anybody, with huge smiles on their faces. The P-Stomp has been the site of their only reunion shows since recording together in 1957. “Suzie Q” was a revelation:

I’m exhausted but musically sated.

Stomping In New Orleans

Just got back from New Orleans where I was working at the Ponderosa Stomp. Two nights of insane rock n’ roll is their motto, and it’s spot on. The music started around 6:30 each night and didn’t finish until about 3:30. Musical highlights were numerous: Wardell Quezergue’s set with Mac Rebennack (aka Dr. John), Jean Knight (“Mr. Big Stuff”), Tammy Lynn, and Tony Owens; the incredible delta blues of Louisiana Red; supercharged rockabilly from the Collins Kids; Eddie Bo showing us a history of funk; the Tail Dragger (a Howlin’ Wolf protege) crawling onstage; Barbara Lynn (“We Got A Good Thing Goin’”); and the highly energized ? and the Mysterians; and many more.

The beauty of the Stomp is that it’s all there at once and you can literally see and hear the connections between blues, rockabilly, swamp pop, girl groups, surf, funk, soul, gospel, garage rock and psych. The downside is that at any given time, there are often two or three amazing acts playing; it’s an embarrassment of riches! Other amazing moments included joking around with Roy Head (“Treat Her Right”) and eating a new dish called Pasta-laya backstage with Stomp organizer Grace Callahan. Congratulations to Stomp curator Dr. Ike on an incredible festival. My advice to you? Start planning a trip to New Orleans in late April next year.

Here’s Bill Kopp of SKOPE Magazine following an interview with the Green Fuz.

Here’s Mac Rebbenack, better known as Dr. John, sitting in during the Wardell Quezergue Rhythm & Blues Revue, one of the highlights of the Stomp for me.

Curator Dr. Ira “Dr. Ike” Padnos was interviewed by Phillip Rollins of MTV.com’s Street Team at the Louisiana Museum Cabildo.

Here’s swamp blues legend Lazy Lester (original singer of the song “Ponderosa Stomp”), New Orleans electric bluesman Little Freddie King, and Mrs. Samantha Padnos (Stomp organizer and Dr. Ike’s wife).

Here’s Lester, ? (of Question Mark and the Mysterians) and yours truly backstage.